menu




Aronofsky

Introduction
Biography/Filmography

Cinematic Elements:

Narrative
Image
Editing
Technical/Stylistic
Sound/Music

Films

Pi
Requiem for a Dream

Conclusions

Characterization: seeing is being
Other Resources



Related Links



Aronofsky.net

Protozoa

Interview - Aronofsky talks about childhood

IMDB entry for Aronofsky - info on upcoming projects

NY Times Article on The Fountain

"Ain't it Cool News" Article on The Fountain

Interview - The Fountain




Outsider Cinema Links


Outsider Cinema Home
Machinima
Bertrand Blier
David Lynch
Future Cinema
Tarnation/Capturing the Friedmans
Russ Meyer
Whit Stillman
Werner Herzog
Richard Linklater
Wong Kar Wai
Lars Von Trier
Robert Rodriguez
Tarkovsky
Fellini
Fatih Akin
Ratchet up






































































Biography/Filmography






Darren Aronofsky was born on February 12, 1969 in Brooklyn, New York. A self-described "tv junkie," his mother plopped him down in front of the TV as a child, and told him "don't cry anymore." (see interview) As a result, the rapid, frenetic style of television has informed his style as a director, most notably in Requiem for a Dream.

Aronofsky attended Harvard, where he studied both animation and live-action film. His senior thesis film, Supermarket Sweep (1990), starring Sean Gullete (the star of Pi), later became a National Student Academy Award Finalist. After Harvard, Aronofsky studied at the AFI, and earned an M.F.A. in directing. His AFI student film, Protozoa (1993) starred Lucy Liu. It has never been released, but according to aronofsky.net, it echoes many of his later themes, including addiction, listlessness and the search for some central meaning or truth - as the film puts it, simply "it." Protozoa also marks the beginning of the partnership between Aronofsky and cinematographer Matthew Libatique.

It was not until February of 1996 that Aronofsky began developing Pi, his next project. It was essentially a no-budget film, costing around $60,000 to complete. Every penny that could feasibly pinched was: the movie set was catered by Aronofsky's mother, and associate producer Scott Franklin, searching for ways to finance the film, suggested that they simply ask everyone they knew for $100, promising a return of $150 if the film succeeded. Fortunately, the film was a success - it debuted at Sundance, where Aronofsky garnered the prestigious award for direction. Subsequently, Pi was picked up by Artisan, and released into theaters.

Aronofsky's second project, Requiem for a Dream (2000), was adapted from a novel of the same name by Hubert Selby, Jr. (who actually helped co-write the screenplay). Aronofksy had long been captivated by Selby's work, and especially Last Exit to Brooklyn, but was unable, for years, to finish the difficult Requiem. At the behest of a friend, Aronofsky finally convinced himself to finish it, which led to his decision to adapt it for the screen. Although the cast included a pair of comparatively big name stars (Jared Leto, Jennifer Connolly), Aronofsky gave every actor in Pi a part in Requiem. After the film premiered in 2000, Aronofsky was cemented as a rising independent star.

However, since then he has faltered somewhat. Proteus, the submarine thriller he was attached to write and direct, was eventually re-titled Below, and although Aronofsky's screenplay was used, and he remained a producer, he did not direct. He was also attached to direct, at one point, what became Batman Begins. Long a fan of comic books, Aronofsky was at one time rumored to be the director for the Watchmen project, but there has been no follow-up. The success of both Sin City and Batman Begins will likely have a significant impact on the continued survival of this dark superhero fantasy.

Aronofsky's next writer/director project, The Fountain, was set to film in 2002 on a $75 million budget, starring Brad Pitt and Cate Blanchett, but sometime before filming was to start, Pitt pulled out due to creative differences. Normally, this would have been the death knell for a film like this, but Aronofsky managed to cut the budget to $40 million, and the film now stars Hugh Jackman and Rachel Weisz. As Aronofsky said to the New York Times, The Fountain "is about a man's search for the fountain of youth at the core. It's about a man who's searching for eternal life whose wife is dying, who comes to terms with his own mortality and comes to terms with his own life and his own existence through trying to save his wife." It will be interesting to see how Aronofsky's distinctive visual style meshes with this time-traveling epic. The film has finished filming, but a release date has yet to be set by Warner Brothers.



Two other projects with which Aronofsky is nominally affiliated are listed on the imdb as "announced": Lone Wolf and Cub, an adaptation of a series of graphic novels by Kazuo Koike, and Flicker, about which little information is available.







Continue




Questions or comments, e-mail me